Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.
Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.
Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.
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Rooted in Gloria Anzaldúa’s experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenged how we think about identity. Borderlands/La Frontera remapped our understanding of what a “border” is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twentieth-anniversary edition features new commentaries from prominent activists, artists, and teachers on the legacy of Gloria Anzaldúa’s visionary work.
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This collection of Neruda's most essential poems will prove indispensable. Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes. An impressive group of translators that includes Alastair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well. This selection sets the standard for a general, high--quality introduction to Neruda's complete oeuvre.
Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.
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In 1927, Henry Ford, then the richest man in the world, bought a 5,000 square mile-tract of land in the Brazilian Amazon. There he was going to build a rubber plantation. But Ford wanted more than just rubber. To the unkempt rainforest he would bring order, efficiency and productivity - the principles of mass production. And across the United States, small-town America was giving way to consumerism and crass, brash new society. Ford wanted to create an America in his own image - Fordlandia, full of neat houses, straight roads and restrained Puritanism. But Ford's early success in imposing time clocks and square dances on the jungle soon collapsed, as indigenous workers turned the place into a ribald tropical boomtown. By 1945 it was abandoned in ruins. Greg Grandin tells the powerful fable of the pride and arrogance of the man who thought he alone could tame the Amazon. It is the battle between industrialised capitalism and the raw power of nature; it is the struggle too within Ford himself, the man who despised the new America that he himself had set in motion, who spent twenty years and several fortunes on his Amazonian dream, yet never set foot inside it. Superbly researched and grippingly told, "Fordlandia" portrays a man suffering under the grand delusion that the forces of capitalism, once released, might then be contained.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
Paul Badura-Skoda is considered to be one of the great pianists of his generation, as well as an important scholar who has created definitive editions of many of the works of the Viennese masters, most notably Wolfgang Amedeus Mozart. With his wife, the noted musicologist Eva Badyra-Skoda, he wrote the highly influential Interpreting Mozart on the Keyboard, first published in German in 1957, then in English and Japanese in 1962 and 1963, respectively. Long out of print, this important work has never been updated to reflect the last half-century of scholarship on Mozart's music. Now, the husband and wife team have tackled this project, producing an entirely new text that will serve students and scholars of keyboard literature and of the great composer.
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